. 80s SOUND . PRESENCE . CLARITY
In the years 70 and 80, many of the techniques that we use today in any record production.
Many of them have arisen from modifying the electronic circuitry of noise reduction processors. An alteration of its circuitry, in the compression-expansion stages, and in the “Pre-Emphasis and De-Emphasis” circuits produce an excitation of the high frequencies, very penetrating and that revitalizes any type of sound signal.
CleanBus, We could describe it as a processor of clarity and sharpness of the sound signal. Only he is able to gather everything necessary to obtain an expressive sound, free of unpleasant frequencies. All professionals know what happens with the problem of sharpness, and the consequences that this entails in our productions.
A simple tool, destined for one of the most important tasks of your work "Wide and clean sound in mono and stereo". It only uses psychoacoustic processes that produce a sensation of sound extension.
Plugin formats:
AU, VST, VST3 64-bit Mac OS 10.11, and above.
VST, VST3 64-bit Windows 8.1, and above
Manual_es
Manual_en
AUDIO TEST SYNCHRONIZED
Compare the differences between (A) normal and (B) processed
«INPUT» This control has an optimal adjustment in its upper central area "Green LEDs" for a more relaxed sound. Passing towards "Orange and red LEDs" get a more effective sound on all for bass and percussion
«FILTERS« Filter bank with 8 different types of isophonic curves. One of the important points of CleanBus, where the sound is open naturally.
«EXCITERS» Emulation of the old noise reducers, used in multitrack tape recorders, which by modifying their circuitry in the compression-expansion stages, and in the “Pre-Emphasis and De-Emphasis” circuits they managed to expand the high frequencies, and generate the characteristic sharpness of the productions of those years.
«EQUALIZER« A parametric tone control, with analog emulation selection, with more lively and less noisy peaks, plus the complement of two attenuator filters, very smooth and precise, halfway between shelving and cutting.
¡ HAPPY MIX !,
INTRODUCTION VIDEO
INPUT ALWAYS IMPORTANT
This control that processes the SIGNAL INPUT, It is responsible for the correct operation of the dynamic control of the exciters. A high level exceeding the two green LEDs will produce a greater stress. This option may interest us in certain cases where a higher density is needed, above all, such as in the treatment of percussions and effects. A smooth control of it, without exceeding those green LEDs, will make the exciters work relaxed, and give us a more adequate response for instruments and voices. TURN THE INPUT CAREFULLY!
FILTERS THAT BEAUTY
At the bottom of the input control, we have the selector “SONORITY FILTERS” Consisting of an array of isophonic curve generators filters. These, plus the combination of the other selector «CLEANING FILTERS» correct frequencies, which, as it were, bother our production. The sound needs for its correct transmission to our ears, a consistent cleaning, so that the masking does not take over and cloud the hearing. The correct feeling is the apparent openness of the signal even in mono. Just like this, our mix will sound professional and free of centered sound.
THE 80'S WITH MUCH MORE BRIGHTNESS
Sensation of presence, that is «CLEAN BUS» Sound of 80, at your fingertips, and with very little effort. A couple of exciters achieve very optimal results, so that your track sounds with presence and you can shape it however you want. With «CHARACTER» and «DENSITY» You can place each of the exciters in the part of the spectrum you want, thus combining character and density to your liking. Besides, you can select the types of filter in hood, shelf and flat.
EFFECTIVE TONAL CONTROL
ATTENUATOR, to finish shaping loudness filters and drivers. The attenuators consist of hybrid filters halfway between shelving and cutting. These filters have a selection of two types of slope "12 and 24dB oct" so that you can first cut and then emphasize the amount of presence you need with the exciters. PARAMETRIC, With a single band it helps you to polish any frequency, but also to contribute «AIR" to guitar synths and vocals. Your choice «Analog» allows you to polish and revitalize your expression. In the high frequencies the bell shines brighter and you can generate air. In the mid frequencies, it makes a correction of the nasal and resonant components.
