.Tonal restoration
.Embellishment
.Sonority
EasyMix, is a tool, designed from the sound concept of the first generations of analog processors of the years 60 and 70, and the essence of my way of working since 1990. Proof of this are those productions known to all (The Grial Saint, Espiral-Dunne, Así Me Gusta a Mí, Fever Sax, Bombas, etc. You can listen to a selection of my works in this link: https://gbsoundlab.com/techno-dance-90s/. Mixing secrets of many years, emulated, summarized in a plugin and developed by the same author who produced those same themes.
Those crisp, vibrant mid-frequencies that make us see and hear sound. The same ones that generated analog studio devices such as equalizers, compressors, and mixing tables of those times, now you have them at your fingertips. The plugin EasyMix, with which we achieve this type of sound, has been developed for many years, in order to take it to the digital world. Its enriching harmonics, presence and sense of openness in mono, will fill us with color and life by inserting it anywhere in our mix.
Plugin formats:
AU, VST, VST3 64-bit Mac OS 10.11, and above.
VST, VST3 64-bit Windows 8.1, and above
Manual_es
Manual_en
AUDIO DEMOS
Compare the differences between normal and processed
AUDIO TEST SYNCHRONIZED
POP MIX: Blue Lit Moon (Dad’s Glad)
ACOUSTIC MIX: Believer (Barnstar!)
ACOUSTIC GUITAR: Talk To Me Baby (Zane Carney)
SYNTH,s & VOICES: Never Stop (JulesKing)
BASS & DRUMS: Happy Pills (Candlebox)
PIANO: Holly Bowling (Little Martha)
KEYS & VOICES: Rock and Refuge (New Ground Worship)
FEMALE VOICE: Numb (Jen Hartswick and Nick Cassarino)
ORCHESTRAL: Alex The Adventurer (JeffreyHayat)
«PROCESS» A few controls and many solutions. You'll get crisp sound with the brightness and mid-range expression you've always dreamed of.
«SOUND & FACE» Presence and clarity. Lots of work under the hood.
«DENSITY» Mid-high frequencies full of life, without stridency and that evoke productions of other times.
«COLOR« It offers you the necessary tools to deal with extreme frequencies. Serious that you can identify thanks to the control «LOW,s»With much more energy and definition, as if separated from the rest of the spectrum. With AIR, intense highs, but stopped with quality saturation, and with an operating mode «Hi SOAP» highlighting the metal of acoustic guitars, synthesizers, vocals and any sound source in an exciting way and without aggressiveness. Body and shine with few clicks.
¡ HAPPY MIX !
INTRODUCTION VIDEO
QUICK HELP
PURE MIDS FREQUENCIES
SOUND & FACE, They come to be something like a few knobs that process various circuits, equivalent to many steps in production to get glue, crisp mid frequencies without nasal and a very musical result. The power of music is in the mid frequencies, and the harmonics that the instruments generate by themselves cannot be wasted. The big productions differ from all the others, due to their presence in that central area of the audio spectrum, balanced and lacking in stridency and dirty sound. We have to restore that beautiful sound by removing the cardboard. ¡TURN THE KNOB AND YOU WILL GET SOUND!
COLOR UP AND DOWN
The selector “LOW,s” It processes certain frequencies close to the bass, to separate them psychoacoustically from the rest of the spectrum. We can adjust it in the selection that we like the most, compensating the low frequencies by means of the equalizers BASS1 and BASS 2 With «AIR» You get the processing of the high and ultra high part, but with a lot of silk, without stridency and if with a lot of musicality. You can squash or leave those trebles more dynamic, but always without stress.
VALVE SOUND
Both this pluginLike all the others, they are inspired by my experience as a hardware sound engineer. Transfer, from the real world I know, all those techniques and philosophy to the development of software complements, with all the peculiarities of the devices that I have designed and manufactured, provided with high voltages and solid-state and valve electronics. I try to transfer everything lived as an electronic, and as a musician, composer and producer, putting into practice concepts and processes from my own toolbox.
SIMPLE DYNAMIC PROCESS
COMPRESSOR and LIMITER Preset to spend as little time as possible and hear results instantly. LIMITER Smooth, with two processing models, one for harmonic instruments and one for percussion.
10 Selections to cover virtually all the needs of a vintage dynamics processor. Optical, VCA, and with diode bridge. All of them to evoke past times, and deliver a very musical sound.
SQUEEZE, parallel compression to enrich and generate even more glue and cohesion, on any track, bus, or master.
OLD VUMETERS
VU-METERS low consumption, and with speed selection, fast and slow to see the average signal. They are intended for the measurement of channels «EFFECT and DIRECT«
